Katsushika Hokusai — Catalogue | ATHENOIR

← Back to the catalogue

Katsushika Hokusai

Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)

This page

Assembled from The Metropolitan Museum of Art under an open-access license. The works below carry the source’s own attribution.

14 works

Chinese Boys Learning to Write and Paint — Chinese Boys Learning to Write and Paint
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 · Source

Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) — Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Rogers Fund, 1922 · Source

Grasshopper and Iris — Grasshopper and Iris
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 · Source

Mariko — Mariko
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Rogers Fund, 1914 · Source

Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) — Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Rogers Fund, 1922 · Source

Poem by Ise, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) — Poem by Ise, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Rogers Fund, 1922 · Source

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) — Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Rogers Fund, 1922 · Source

Seaside Village in Winter, from Hokusai’s Album of Realistic Pictures (Hokusai shashin gafu) — Seaside Village in Winter, from Hokusai’s Album of Realistic Pictures (Hokusai shashin gafu)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 · Source

South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji — South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji
early 1830s
The Cleveland Museum of Art · CC0 · CC0 · Public Domain Dedication · Bequest of Edward L. Whittemore · Source

The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō — The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 · Source

The Sumo Wrestlers Wadagahara Jinshirō and Kachōzan Gorokichi — The Sumo Wrestlers Wadagahara Jinshirō and Kachōzan Gorokichi
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 · Source

The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) — The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Rogers Fund, 1922 · Source

Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) — Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939 · Source

Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) — Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Edo period (1615–1868)
The Metropolitan Museum of Art · CC0 · CC0 · Public Domain Dedication · Rogers Fund, 1922 · Source